This week we read Vygotsky’s Mind in Society and discussed the 4th design Principle. The most resonant concept I have taken is what Vygotsky referred to as the zone of proximal development. In class, we used the helping of a child to cross a river as a metaphor. On one side of the river is the child’s actual developmental level or mental age. The other side is the child’s potential developmental level. It is a place the child can go with adult guidance. The developmental level lags behind the potential level. Once a concept can be achieved independently it becomes their actual level. Our job is to keep pulling them along into the edge of their learning. We model, coach, and fade.
I try every week to relate what we learn in class to my
daily activities in my elementary music class.
To some degree I have been using the 4th design
principal. With musical concepts that
involve actual music fluency or performing like singing, playing musical
instruments, or purposeful movement I am good at discovering where each child’s
ability is and pushing them to the edge of their potential. I model, coach, and fade. Where I have
severely lacked using good design principles is I don’t design my lessons to
tie cultural and historic SOL’s to the performance piece. I have been teaching
them as separate units that I realize aren’t meaningful and definitely not authentic.
I have a question about the
zone of proximal development. Why does it have to be an adult to guide the
child? If a child in the class can demonstrate mastery, independently on a task
why can’t they guide another child who is on the other side of the river?